We are very excited to welcome the Marsyas Trio (flautist Helen Vidovich, cellist Val Welbanks and pianist Olga Stezhko) to Polyphony Arts’ performers! The London-based trio was formed in 2009 by graduates of the Royal Academy of Music, and is the UK’s leading flute, cello and piano ensemble. Showcasing a hugely diverse repertoire from the Classical and Romantic eras to the present day, the Marsyas Trio’s programming illuminates forgotten masterpieces, whilst inspiring a generation of new works.

Audiences around the world have been captivated by compelling narratives within programmes, whose themes varied from historical women composers and Suffrage to the reimagining of the history of humankind in the cross-art project Shadows of Time. The Marsyas Trio’s CD A Triple Portrait (Meridian Records 2015), featured chamber works by the formerly blacklisted Russian émigré Elena Firsova, in celebration of her 25 years in the UK, and their latest CD In the Theatre of Air (NMC Recordings 2018), debuted at No. 7 on the classical charts.

You can read more about the Marsyas Trio here

It’s wonderful to have you with us!


Nina Danon: Composer
Nina Danon: Composer

Polyphony Arts is delighted to welcome the impassioned composer and artist Nina Danon.

Nina is a Franco-Italian composer and sound artist based in London, where she teaches composition and arranging at the British and Irish Modern Music Institute.

She excels at writing strong memorable melodies, arranging music to tell a story, and finding connections between ideas to come up with imaginative solutions.

Nina’s music allows her to explore her identity as a mother, a woman and a multicultural artist. She specialises in site-specific projects exploring the link between music and the natural world, and projects empowering women and marginalised communities. 

The climate emergency is a cause Nina is particularly passionate about. The central idea of the body of work she is currently producing is that, by experiencing (and, crucially, by being an active part of) the natural world through art, we get to empathise with it, gaining a sense of connection, of understanding.

Nina is currently researching how our tactile perception of sounds can enhance our emotional understanding of cetaceans, and is actively looking for projects and collaborations to expand this investigation.

To find out more about Nina and hear samples of her music, click here

Welcome Nina!


Polyphony Arts is delighted to welcome the remarkable composer Jonathan Rutherford.

Jonathan’s life is devoted to composing. Though he is a well-admired pianist he is first and foremost a composer. He was one of the first fifteen pupils at the Yehudi Menuhin School, and outside the school curriculum he studied composition with Lennox Berkeley. Jonathan has worked with many great teachers such as Nadia Boulanger, Richard Rodney Bennett, and Benjamin Britten.

His piece for Musical Saw, Violin and Soprano “An Intake of Breath” has been loved wherever it has been heard, and the popular “Rejoice! Rejoice!” and “Final Parting” have affected people deeply.

Jonathan’s music is diverse, from pop songs written while still at school between 1967 and 1969, to his atonal writing in the mid 1970s. His discovery of Mahler, and then his visits to Peter Maxwell Davies and Harrison Birtwistle’s courses at Dartington Summer School took his music in new directions. Jonathan’s voice is unique, and isn’t easily pigeon-holed.

Musicians such as Patricia Routledge, Colin Baker, Johnny Morris, Harriet Longman, Jennifer Thorn, Heidi Pegler, and Susanna Wilson have all performed Jonathan’s music, as well as ensembles such as The Eye Bach Choir, Amici, Stowmarket Chorale, The Prometheus Orchestra, Jubilate and the Orford Choir, and the Philharmonia Orchestra.

To find out more about Jonathan and hear samples of his music, click here

Welcome Jonathan!