Polyphony Arts is delighted to welcome the remarkable prize-winning pianist Rossina Grieco.

Rossina began her musical studies with St. Petersburg pedagogue, Luba Ugorski, at four years old. After winning global recognition and prizes across America, she made her formal debut at Copley Hall with the San Diego Symphony at eight years old.

She has appeared as soloist with the Shanghai, Guangzhou, and Xiamen Symphonies, Shanghai Philharmonic, and the China Philharmonic in venues including the Lincoln Center, Poly Theatre, Koerner Hall, Shanghai Oriental Art Center, Xinghai Concert Hall, The Auditorium at TSRI, and Sherwood Hall.

She has also worked with conductors including Gábor Takács-Nagy, Yu Long, Xu Zhong, Chen Zuo Huang, Chen Xie Yang, Yoon Jae Lee and Jung-Ho Pak. Rossina was invited as guest artist at the Beijing International Music Festival, La Jolla Music Society, Antheneum Concert Series, as well as performing numerous private recitals across San Diego, Toronto, Leeds, and New York.

Rossina became the longest standing recipient of the Ihnatowycz Prize, one of the highest and most prestigious artistic awards offered in North America, and has received accolades and academic recognition from institutions including Juilliard, The Glenn Gould School, Escuela Superior de Música de Reina Sofía and Curtis. She released her debut recording in 2020 with Orpheus Classical, featuring Chopin’s Scherzi and Preludes. A second recording of works by Beethoven will follow soon.

Rossina is currently accepting bookings for recital, chamber and concerto engagements. Find out more about her and the repertoire she’s offering here:

Welcome Rossina!


Polyphony Arts is delighted to welcome internationally acclaimed pianist Avguste Antonov! Avguste has performed across the globe and is a passionate advocate of 20th and 21st century music. He’s performed numerous World and US premieres of works by composers including Carter Pann, Gregory Hutter, Michael Colgrass, Raina Murnak, Matthew Lewis, Till Meyn, Matthew Saunders, Robert Rollin, William Vollinger, as well as many others.

Recent season highlights include a recital at the Bulgarian Ambassador Residence in Washington, DC, the performance of Carter Pann “Concerto Logic” with the San Jose State University Wind Ensemble, a live performance for the Kansas Public Radio, the World and US Premiere of Matthew Saunders “Piano Concerto” with the University City Symphony (University City, MO) and the Lakeland Community Orchestra (Kirtland, OH).

In addition to performing, Avguste gives guest lectures and is currently professor of piano and accompaniment at the Conservatoire de Châteaubriant. He also adjudicates for various competitions, including the ENKOR Piano Competition, the Sound Espressivo Global Competition and the Music International Grand Prix. Outside of music, he’s a chess player, member of the chess club Cercle d’Echecs Castelbriantais and participates in regional and national tournaments.

Having recently relocated to France after living in the US for 20 years Avguste is looking to perform more in the UK and Europe, and is currently accepting bookings in these territories. Find out more about him and the repertoire he’s offering here:

We’re thrilled to have you join us, Avguste!


We are thrilled to announce a new member in our team of music managers: Susie Murray

While at University Susie worked at several music festivals during the summers, including Harrogate Music Festival. Upon graduating she worked two short term contracts at classical music agencies before joining Askonas Holt in 2010, which she worked for a decade. 

Susie continues to balance her music life with various activities. She completed courses in theatre practice (The Royal Central School of Speech and Drama), film making (BFI Film Academy), and is a qualified yoga instructor since 2019. She is currently offering online yoga classes and many of her colleagues join her!

You can read more about Susie here

Welcome on board, Susie! It’s such a pleasure to have you in our team! 

Duo Tandem – “Two guitarists ahead of the curve”

It did not take a global pandemic for guitarists Necati Emirzade and Mark Anderson, otherwise known as Duo Tandem, to figure out how to collaborate across the thousands of miles that separate them.

Necati is a London-based Turkish Cypriot while Mark lives in his native Chicago. The two met whilst studying at the prestigious San Francisco Conservatory of Music and began their collaboration in 2011.

Their latest album featuring the music of Turkish Cypriot composer Kemal Belevi, which was issued on the Naxos label earlier this month, presented a not only a technical challenge, but also a significant logistical challenge.

At the start of project Mark and Necati had already been working remotely for some six years, but up until then this usual involved working on at most two new pieces at a time.

Now they were faced with producing 62 mins of music to a definite time frame. Three of the pieces had already appeared on their previous album, but this still left over 40 minutes of music to learn.

“It meant doing what we were already used to,” says Mark Anderson. “Just more, and on a larger scale.”

The two sent endless recordings back and forth using a metronome almost like a click track to ground and discipline the second voice. Then there were the WhatsApp conversations to play around with the results.

Necati sees that discipline as core to the success of the project:

“We agreed a schedule for learning each piece and deadlines for sharing recordings which is how we drove it forward. It was important to be systematic. That was the only way it could work. It might otherwise have been all too easy to let things slip, especially when you think you’re not going to see each other for two months. Remote working has to be efficient and targeted. Then there’s the accountability we owe each other as a duo which undoubtedly helps.”

The album was recorded in Holy Trinity with All Saints Church in South Kensington using sound recordist Luca Gardani with whom they have a longstanding relationship.

“The acoustics there are amazing,” says Mark. “You play a note and it sounds forever. It was also important that we were able to show Naxos the sound quality we would be delivering and give them the confidence that could and would be reproduced for their label.”

The three often worked at recording through the night after the church had closed its doors to the public for the day, often finishing at five in the morning.

“This is where the benefits of our remote practice came into its own,” says Mark. “It can seem mechanical while we’re doing it, but it does mean that when we are finally in the same room playing together, those basics are already dealt with and we can go straight to the real musical discussion.”

But then the task of editing began, organised between London, Chicago and Columbia, where Gardani is based. Once again their existing organisational skills came to the fore and the whole operation was directed via a giant Google spreadsheet colour-coded by tracks and edits.

“So now suddenly everyone is talking about the logistics of how to collaborate and perform on-line – we’ve being doing it for eight years!” says Mark. You can almost hear him rolling his eyes.

This album is very personal for Necati, grounded as it is in the folk melodies both he and Belevi grew up listening to, but with a classical approach.

“Play these melody in Cyprus and anyone, Greek or Turkish, will recognise them at once. We are a small community on a small island and when a community gets smaller, feelings get bigger so this music is very powerful.”

Reviewing the album shortly after its release, the Classical Music Pod podcast praised

Belevi’s idiomatic understanding of the personality of the guitar as a classical solo instrument and the textures and colours with which he adapts these folk melodies creating “a feeling of place and a knowledge of people will transport the listener: a summer holiday in a CD.”

Listening to the different tracks it’s hard to imagine Mark and Necati are not able to practise together for weeks and months, their playing is so interwoven expressing an instinctive, reciprocal musical relationship.

As The Classical Music Pod observes: “It’s almost like [listening to] one giant double-necked 4-handed guitar. Lightness, joviality, a willing to play with each other really comes across. You can tell when people are playing stuff that means something to them personally… these two seem so in command of their instruments, their ensemble, the balance of the parts. The warmth of their playing and the pacing of each arrangement is really, really spot on; a joy to sit down and listen to.”


Polyphony Arts is delighted to welcome international prize-winning violinist Miriam Davis! Miriam is a British violinist based in Norway. She performs extensively throughout the world, both as a soloist as well as in various chamber ensembles, and has won numerous international competitions – including a First Prize at the International Grand Virtuoso Competition (May 2019).  Other recent prizes include 1st prize from IMKA competition, Virtuoso Belcanto International Competition dedicated to Paganini, and the North Online International Competition. Recent solo performance venues include Concertgebouw Amsterdam, Royal Albert Hall and Stavanger Konserthus, among many others.

At the young age of 12, Miriam performed as concertmaster of the National Children’s Orchestra of Great Britain, in concert at the Queen Elizabeth Hall (London). At the age of 13 she was accepted to the National Youth Orchestra of Great Britain, in which she went on to perform as Co-Leader at the BBC proms in Royal Albert Hall London. Since 2017, Miriam has studied with renowned French violinist, Philippe Graffin, including receiving her Artist Diploma at Hague Royal Conservatory in 2018.

Miriam’s greatest passion lies in the Romantic and Early 20th Century repertoire, whilst still enjoying a versatile spectrum of musical styles — ranging from the Baroque to new, personally commissioned works from contemporary composers. She is also currently embarked on a Debut CD recording, featuring several of the Ysaÿe Solo Sonatas. Miriam performs regularly with leading Dutch pianist, Jelger Blanken; 2020 saw a return to her native UK in concerto engagements, USA debut concert and further upcoming concert-tours.

Miriam is currently accepting concerto and chamber music engagements. Find out more about Miriam and sample concert programmes here:

We are thrilled to have you with us, Miriam!

NEW ARTIST! A warm welcome to award-winning composer Edwin Roxburgh!

Polyphony Arts is delighted to welcome Edwin Roxburgh to the Polyphony Arts team!

Distinguished composer and virtuoso oboist, Edwin has won numerous prizes and Fellowships. As a student, he was recipient of the Elgar Trust Award through a BBC Symphony Orchestra commission, as well as a British Academy Award for his Oboe Concerto, An Elegy for Ur, and a Cobbett Medal for Services to Chamber Music.

Edwin’s musical works encompass a broad range of instrumental setting, adventuring through a variety of sophisticated, fascinating sound worlds. His work Saturn, with a tribute to Holst, explores the mythical characters of its moons and satellites, in “an epic orchestral and electronic space-scape effortlessly blending Roxburgh’s understanding of Boulez and Stockhausen with a Birtwistle-like sense of ritual” (The Wire). He awaits a performance of his opera Abelard (libretto by Edwin and Julie Roxburgh), published by United Music Publishing under the auspices of a Leverhulme Research Fellowship. Other commissions include How Pleasant to Know Mr. Lear, for narrator and orchestra, produced on ITV’s Aquarius with Vincent Price and Diana Menuhin as narrators. Recordings of Edwin’s works are available on various prestigious labels, including NMC, Naxos, Warehouse and Metier.  

Beside his busy career as a composer, Edwin’s artistic activities include performing, conducting and teaching. He is currently a visiting tutor and researcher at the Royal Birmingham Conservatoire, where he was awarded an Honorary Fellowship, and has conducted numerous premieres – originally with the Twentieth Century Ensemble of London, which he founded, and later with several other principal orchestras of the UK.

You can read more about Edwin here:

What a pleasure to have you with us, Edwin!


Polyphony Arts is delighted to be working with a new, exciting company: The Come and Sing Company (CASC)! CASC brings people together in song, with the aim of creating tailor-made musical workshops and events to help people connect through music. To deliver this, CASC’s exceptional team of performers, conductors, workshop leaders (and more!) share decades of musical experience.

Co-founded by Tom Appleton and Elenor Bowers-Jolley, CASC’s clients include the National Trust, Silver Spoon, Wexford Mental Health Association, Snape Maltings, the Norfolk and Norwich Festival, Wellington College, among many others. With Norfolk Music Hub (NMHub), CASC brought 27 primary schools together in a fusion of Norfolk folksongs and the music of South Asia. Among the numerous projects, a partnership with Arts and Gardens (supported by the National Trust) gave rise to ‘Lyveden New Bield–A Secret Concert’ and ‘Come and Sing in Secret’, with the aim of making a visitor’s experience closer to founder Thomas Tresham’s original vision for the site, whilst better connecting with the local, regional and national audience.

CASC led a number of other events, such as choral workshops for adult choirs, vocal and conducting technique CPD sessions for teachers, prep school choral days, come and sing Disney/musicals, health and wellbeing sessions, and many teambuilding days for businesses.

You can read more about CASC here:

A pleasure to have you with us, The Come and Sing Company!


Edward Cowie: Composer

Polyphony Arts is thrilled to welcome composer and all-round artist Edward Cowie! Described as ‘one of the most distinctive musical minds of our time’ (Observer), Cowie’s music frequently fuses his rich knowledge and interest in science, nature and the visual arts. Many of his works are preceded by pre-compositional drawings—many of which have been presented in numerous public exhibitions; in addition, studies and collaborations with leading physicists led to a body of new works that directly translate scientific theory and experiment into music.

Edward Cowie has been a composer in Association with the BBC Singers (2003-5), and the first Artist in Residence with the Royal Society for the Protection of Birds (RSPB). Among Edward’s prestigious successes as a composer, his numerous awards include a Gulbenkian Award to study at The Royal Ballet, The Radcliffe International Composer’s Prize and a Chopin Fellowship to study with Lutosławski in Poland. His work for television has included a major film on Edward Lear for Granada TV, and his acclaimed BBCTV2 film ‘Leonardo of 1986’. As an academic, Edward has held major professorships in two Australian and one British University; his reputation continues to grow worldwide, and new CDs emerge with high praise and appreciation.

You can read more about Edward’s work here:

What a privilege to have you with us, Edward!


We are very excited to welcome Duo Tandem (Necati Emirzade and Mark Anderson) to Polyphony Arts’ performers! The instrumental guitar duo, with an emphasis on story-telling through music, has been hailed as “trad[ing] musical ideas back and forth so effortlessly” by Classical Guitar Magazine and described as “pushing the boundaries of what’s possible on classical guitars,” by Minor7th.

Their shared artistic vision blends their distinct, individual cultural backgrounds into a unique, combined musical voice. The duo formed in 2012, while studying at the prestigious San Francisco Conservatory of Music. Since then, the ensemble captivated audiences with performances across both the United States as well as Europe. Recent engagements include their album “Watching the World Go By”, chosen by Blair Jackson (editor of Classical Guitar Magazine) as a top-ten 2018 album. In 2020, Duo Tandem will release a further album on the Naxos label, and will include the Cypriot composer Kemal Belevi.

You can read more about Duo Tandem here:

It’s wonderful to have you with us!


Polyphony Arts is delighted to be representing international organist Jennifer Bate!

An “esteemed wizard of the organ” (The Times), Jennifer stands as a major figure in the top rank of international organists. Her vast repertoire ranges from the 18th Century to the virtuoso writings of the present time. She has performed in nearly 50 countries across the globe, and numerous composers have written for her, inspired by her phenomenal technique and her ability to bring out the colours of the organ.  

Among her numerous achievements, Jennifer became Messiaen’s organist of choice, following her recording of the composer’s complete works at Beauvais Cathedral. The numerous awards for her recordings of Messaien’s works include the Diapason d’Or and Preis der Deutschen Schallplattenkritik. Jennifer has a deep knowledge of the history of music; she lectures on a wide range of musical subjects at Oxford, Cambridge and Bristol Universities, and particularly enjoys  working with young people.

You can read more about Jennifer here:

A honour to have you with us, Jennifer!

Musicians: how does marketing yourself make you feel?

Do you know how to get the work you deserve? Are you confident finding performance opportunities, commissions, appropriate fees, good venues, recording contracts?

I’m Katie Beardsworth, director and founder of the Polyphony Arts agency representing a diverse client base of classical musicians, and I’m offering a bespoke online course – Become Your Own Agent – to help musicians like you acquire the skills and confidence to build a professional portfolio.

In four weeks, I will show you how the music industry works, teach you the best ways to promote yourself and your work, and provide advice on how to tackle the kind of challenges you will face such as fee discrepancies and imposter syndrome.

Whether you are just starting out or have years of experience as a professional musician, this is the course to help you achieve the career you aspire to and deserve.

The first course starts on 4 November, and there is a discount! Read more, and sign up:

Beardsworth Arts is becoming Polyphony Arts – and here’s why

Katie Beardsworth, founder of Polyphony Arts

Beardsworth Arts is becoming Polyphony Arts, and here’s why.

Polyphony is about voices blending together and separate parts making something bigger and more harmonious. Beardsworth Arts started as one idea and one voice in a busy industry. In just 18 months it has grown into something much bigger than ever we first thought, with many other weaving parts.

I love the polyphony analogy because musicians today experience complex, multi-faceted professional lives which need to combine with personal lives and family. Creating harmony from the various strands of life is something we all aspire to.

As our work develops, our core values have become clear:  we are all about clarity, inclusivity, flexibility, and making life and work be the best it can possibly be.

Polyphony and these complex, interweaving lines is a value. Here’s how we live it:

  1. We help musicians deliver, develop and market their projects and programmes, giving them the practical support they need to allow them to focus on their artistic work. This gives our artists the space for what interest them most, and allows them to see their work come to fruition in the best possible way.
  2. We specialise in planning and delivering classical music projects – festivals, concert series, organisational advice, and more – that are inclusive, accessible, sustainable in today’s arts climate, and bring audiences, musicians and communities together.
  3. We live and work by our values; I started the company in order to allow myself to pursue the work I find the most rewarding, in a way that gives me the best possible work/life balance with my young family. Our team is fully flexible, allowing the members of the team to have this work as part of their lives in the way that works best for them. As a talented team of musicians with multi-strand careers, we are experiencing the life and work challenges that our clients do, and this allows us to provide outstanding support to them.

Tell us your project and programme ideas, challenges and dreams, and Polyphony Arts will bring it together for you.

Bassoonist Fraser Gordon joins the NLCE

The New London Chamber Ensemble are delighted to welcome newest member Fraser Gordon!

Fraser initially studied violin at the Royal Conservatoire of Scotland and upon graduation returned to study bassoon, graduating with First Class Honours and being awarded the Peter Morrison Prize for Excellence. After several busy years freelancing in Scotland, he was appointed to his current post as Principal Contrabassoon of the Royal Philharmonic Orchestra in 2011, serving on the Board of Directors for five years. He is a regular guest player with orchestras around the UK as well as participating in several recent projects with the World Orchestra for Peace. Fraser is a member of staff at the Royal Academy of Music and is an active musician in the RPO’s Community & Education programme: RPO Resound.

Fresh from a recent successful performance with the NLCE at the Big Malarkey Festival, Fraser says he is “looking forward to working with the group on their exciting future projects including newly commissioned works written especially for NLCE as well as getting to perform some gems from the existing wind chamber repertoire.”

Our remote team is growing! What do teams mean to you?

Graziana Presicce, newest member of the Beardsworth Arts team

Beardsworth Arts has a new member of the team!

I am delighted to welcome Graziana Presicce to the Beardsworth Arts team. Graziana is a pianist, on her way to a PhD in Performance at the University of Hull. We have worked together before, on concerts held at the university, and I am delighted that she will bring her expertise to Beardsworth Arts!

She joins Veronica Colyer, professional oboist and piano teacher, who was the first person to join the team, and has been working with Beardsworth Arts for a few months. You can read more about Veronica and Graziana here.

I thought I would take this opportunity to write a post about what it means to me to have a team.

Veronica Colyer, the first member of the Beardsworth Arts team

Running your own business from home is wonderful in many ways, but it can be a lonely thing to do, at times – you don’t get that offer of a cuppa, that person to complain to when your computer decides to do updates at the wrong moment, or something is taking longer than it should… you can miss out on the energy that is created by having conversations with other people that understand what you’re doing and how it is making you feel. It is one of the things I miss the most about working in an office.

With a remote team, you still don’t have that daily contact, but you do have a whole new source of energy, ideas and inspiration.

When my business grows enough for me to need a new member of my team, I feel enormously proud – working with people really contributes to my energy, and makes me feel like together we can achieve anything!

New clients also make me feel like this, and I am excited to be announcing more new clients soon! However, welcoming someone new into my team, building that working relationship and seeing them form part of my work and take on and develop their own role as part of my business is a very special thing for me, so I wanted to take this opportunity to say thank you to Veronica and Graziana for their wonderful work and for being part of Beardsworth Arts!

Are you in a team? Office-based, or remote? What do you like most about your team?!

#team #teamwork #remoteteam #artsadmin #artsmanagement #freelance #freelanceteam


Welcome to my new website, which is designed to showcase my freelance arts management portfolio. I am an artist manager, arts project manager and social media consultant. I started working freelance in early 2018, in order to have more flexibility and choice over my work, and to enable myself to spend the right amount of time with my young family. Since then, my client base has more than doubled, and the range of projects I take on has widened and diversified in truly inspiring ways. I feel very lucky to be working with such wonderful people and projects!

You can read more about me, my projects and artists on this website, and follow me on social media at the links shown.