Polyphony Arts is an arts and artist management organisation founded and managed by Katie Beardsworth. It began in early 2018 (as Beardsworth Arts), when Katie went freelance in order to have more flexibility and choice over her work, and to spend the right amount of time with her young family.
Since then, our client base and range of projects has widened enormously and diversified in truly inspiring ways. We have developed a remote team of fantastic arts experts, to allow the business to grow.
Polyphony Arts focuses on classical music artist management and project management. We are all about clarity, inclusivity, flexibility, and making life and work be the best it can possibly be.
Specific services that we provide include: promotion of artists to a large international database of contacts; festival and event management; strategic and artistic planning for arts festivals and organisations; publicity work including copywriting, press and media releases, social media management, and website updating.
We also offer funding support (we have a proven track record of successful fundraising) including grant applications, corporate sponsorship packages, and individual giving programmes such as Friends schemes; and tour management, amongst many other things.
And we regularly collaborate with Classic FM, through projects and artist promotion. Get in touch to find out how we can help you!
You can read more about our team, projects and artists on this website, and follow us on social media at the links below.
Director and Founder
I come from a musical family, and have been working in the arts throughout my career. I am lucky enough to have worked with a wide range of wonderful venues, festivals and organisations, such as the Sage Gateshead, Cheltenham Music Festival, Orpheus Foundation, New Paths Music, Hull Chamber Music, the University of Hull’s Events Series, Cadogan Hall, Middleton Hall, St George’s Hanover Square, York Grand Opera House, York Barbican Centre, St Paul’s Covent Garden, Hull Truck Theatre and Hull Minster.
I have been working in the arts since 2005, and have been involved in classical music for my entire life. It is very exciting for me to be running my own arts business. I have always had a passion for arts administration; I have a deep understanding of what it means to work creatively, and I love supporting artists to do creative work.
I have a friendly, professional manner (with an underlying ruthlessness when it comes to negotiating fees!), and meticulous attention to detail/ability to work to deadlines whilst respecting and working with artists’ own priorities and pressures. I enjoy writing and talking to people, and hold myself to high standards of communication.
I am also a singer, and teacher of singing and music theory. For more information on my singing and teaching work, please visit https://katiebeardsworth.weebly.com.
Outside of my professional life, I am a keen volunteer doula and breastfeeding peer supporter for a Hull-based organisation called The Goodwin Trust. This work is very special to me, as I have been trained to offer support to women of all backgrounds during pregnancy, birth, and after birth. The wide range of training, including safeguarding, domestic abuse and FGM awareness, and sign language/deaf awareness, has deepened my understanding of the wide range of issues that people across society face.
As well as being hugely rewarding work in its own right, this volunteering has given me a passion for ensuring the arts are truly accessible and appealing to everyone, no matter what their circumstances are. I am particularly enjoying working on several projects in the field of disability and accessibility, including a project focusing on deafness with the New London Chamber Ensemble, and working with Hull Chamber Music to bring chamber music to a much wider range of the population of Hull and the East Riding.
Head of Artists and Projects
While studying Music at The University of York, Susie pursued several interests alongside her course including rock climbing and skiing. During her summers she worked at Harrogate Music Festival and Dartington Summer School and, upon graduating, she embarked on a career in artist management. Initially completing two short term contracts at smaller agencies, she subsequently joined Askonas Holt in 2010 where she worked for a decade.
Susie continues to balance out her musical life with various activities and over the years has completed courses in theatre practice at The Royal Central School of Speech and Drama, film making with the BFI Film Academy, worked on a community musical project with The Old Vic Theatre, and even qualified as a yoga instructor in 2019.
Margaret studied English and Modern Languages at King’s College, Cambridge where she was heavily involved in the music scene playing co-principal double bass in the university music society’s first orchestra. She was a contemporary of a number of notable performers and composers including George Benjamin, Joanna MacGregor (with whom she performed in “The Threepenny Opera”), Gerald Finley and Mark Padmore.
She went on to qualify as a solicitor, practising international shipping law in the City and then moving the United States where she specialised in international corporate law on Wall Street. After moving to the Boston area with her family, she joined the faculty of Harvard University where she won two awards for excellence in teaching from the Derek Bok Institute for Education.
Returning to the UK she worked as a writer and translator (she has published three children’s and YA books) as well as serving as academic director at a prestigious summer school at Lady Margaret Hall, Oxford.
Margaret also has enjoyed a successful career as a consultant in public sector construction and procurement acting as partnering adviser and project manager on a number of large infrastructure projects for the Ministry of Justice and several major councils across the country.
More recently she worked as Head of Market Intelligence for a major international law firm advising on policy and strategy as well as editing several newsletters for their marine, trade and energy business group.
In 2017 she was selected to join a small, but diverse cohort of business people from across the country on the CBI’s Executive Leadership Programme which took her to into the heart of government and policy making in Westminster, Brussels and Washington.
Margaret continues to play the double bass, sitting as section principal in the Hull Philharmonic Orchestra, for which she also serves as an executive committee member. She is involved in various other local music societies and festivals including Hull Chamber Music.
She currently serves as a local councillor and was Town Mayor of Beverley in 2012/13. She uses her position to promote the arts, especially music education for young people.
When she is not playing music to relax, Margaret is making a name for herself on the stand-up comedy circuit and has appeared in London and New York as well at venues across the North of England. She is winner of the Rising Stars Comedy Club Audience Award.
Margaret speaks fluent German as well as being competent in a number of other languages (including Indonesian).
Lily is a spirited English cellist who holds passion for representative programming, historically informed playing and accessibility for audiences. Lily accepted a bachelor’s degree from the Royal College of Music London in 2018, where she studied with Alexander Chaushian, Reiko Ichise, and Richard Tunicliffe.
Lily has performed at the Southbank Centre, Royal Opera House, Queen’s Gallery Buckingham Palace, Royal Festival Hall, Latitude Music Festival, St John’s Smith Square, and as soloist with the Royal Sutton Coldfield Orchestra, as well as in various concerts for the RCM. She is an impassioned chamber musician, and since the formation of the Maconchy Quartet in 2018, Lily has found great joy in delving into overlooked masterworks and innovative new music. This led her to co-create the RETAKE concert series in 2020, which strives to provide a platform through which this excellent music can be showcased.
Lily also enjoys recording for screen, with her recent sessions including BBC’s Small Axe and The Last Letter From Your Lover (2021). As a musician, Lily is motivated by a variety of music, from Purcell to Led Zeppelin, and she enjoys musical theatre, the mixing of genres, and music that subverts expectations. Lily plays an Italian Cello made by Fabio Piagentini in 2017.
Caroline joined Polyphony Arts in 2021, having previously worked for Hazard Chase as Assistant Artist Manager in the Vocal Department. Caroline is a singer and choral conductor, and has enjoyed performing at the BBC Proms and World Choir Games, and was a guest conductor for Sandi Toksvig’s live show at the Women of the World Festival. Caroline has lectured at the universities of Reading and Leeds, and has been a member of Music staff at the cathedrals of Leeds and Bradford. She has devised and led singing projects for English National Opera, Opera North, English Touring Opera, Mahogany Opera and the Voices Foundation amongst others.
Caroline enjoys a wide range of music from jazz and bluegrass to gospel and folk, and specialises in operatic and vocal repertoire. She particularly enjoys working with composers both as a manager and a performer.
When she isn’t making music, Caroline enjoys rowing and yoga. During the coronavirus pandemic she wore various hats as an NHS receptionist, a food delivery volunteer, and a florist – but she is glad to be firmly rooted in the Music world again!
Nick joined Polyphony Arts in 2021, having previously worked as General Manager for The Bach Choir. He has also worked for Milton Keynes City Orchestra, The Royal Opera House, English National Opera, The Royal Philharmonic Orchestra and Universal Music Publishers, to name a few, and has gained a huge number of valuable contacts along the way. Nick gained his music degree in Bath, having previously wanted to be a trumpet player and then composer. He still does both, but in his spare time.
Nick enjoys a wide range of music from Bach to Mendelssohn, Stravinsky to Roxanna Panufnik. When he isn’t working he likes spending time with his son and following his beloved Liverpool FC.
Annabel is an experienced Arts Project Manager, specialising in orchestral and instrumental music and passionate about producing high-quality events that run in the smoothest way possible. She holds BA and MA degrees in Music from Durham University. Following roles at Cheltenham Music Festival and London Sinfonietta, Annabel enjoyed four years as Orchestra Manager with Britten Sinfonia, planning and delivering concerts across the UK and further afield within Europe, America and India. Her experience from this time encompasses advance/technical planning, stage management and orchestral fixing/personnel management.
As a freelance Project/Event Manager Annabel has worked for Cheltenham Music, Science and Literature Festivals, Spitalfields Music Festival, BBC Singers, and Verbier Music Festival. Since April 2017 she has worked for the Berkeley Ensemble, where she now holds the position of General Manager, managing all aspects of the ensemble’s concert and education work, and self-promoted Little Venice Music Festival.
Annabel lives in rural North Yorkshire with her husband and two young daughters, and embraces the opportunity to be outside whenever possible; walking, running, and attempting to maintain a decent vegetable garden (with erratic success). She has a specific interest in facilitating arts access in rural areas, and is a founder trustee of the Chamber Orchestra of the West.
Podcast Producer & Project Manager
Graziana Presicce is an Italian pianist, based in the United Kingdom. She recently completed a scholarship-funded PhD in Music Performance at the University of Hull (2020). Her research and doctoral thesis, also explored through her performance activities, investigates music listeners’ experiences of visual imagery. Graziana graduated in 2012 with a First Class BA Music Degree at the University of Hull, where she was awarded the Sir Thomas Beecham Music Scholarship and Special Prize in Music; she then completed a Master course with Distinction (2014).
As a performer, Graziana actively engages in recitals, both as a soloist as well as accompanist. Past engagements include concertos with the New International Chamber Ensemble (NICE) and the former Hull University Orchestra. Graziana also performed on various occasions as part of the Hull Philharmonic Orchestra, beside an engagement as a concerto rehearsal pianist. In March 2017, she performed what is believed to be the recorded premiere of works by the Hull-born composer Ethel Leginska, alongside baritone Lee Tsang. The events, part of Women of the World Festival and Hull City of Culture 2017, were also featured on BBC Radio 3’s Music Matters.
Rachel has degrees in music from Lady Margaret Hall, Oxford, and in composition from the Royal Northern College of Music. She has worked in orchestra management and planning for City of Birmingham Symphony Orchestra and Oxford Philharmonic, supported marketing efforts for Orchestra of St Johns and Oxford Bach Soloists, and contributed to music libraries and archives across the UK. A northern girl at heart, she now lives in the West Midlands with her family, where she’s a member of the Warwick Symphony Orchestra.
She works for Polyphony Arts as Operations Manager, providing support across the team and client base.
Elenor Bowers-Jolley has over twenty years’ experience as a freelance Lyric Soprano, Fixer, Opera Chorus Manager, Audition Panelist, Vocal Coach, Adjudicator and Arts Administrator. Elenor is also Creative Director of the Come and Sing Company who pride themselves on bringing group singing and opera to diverse communities.
Ellie’s passion for music and singing has led her to perform as a soloist and consort member around the world.
Elenor has performed as soloist for The Monteverdi Choir, The Kings Consort and Capilla Cayrasco. Ellie is also a member of Metro Voices, London Voices, La Nuova Musica, The Audio Network Choir, and is a founder member of the Arkell Ensemble.
Opera credits include Chabrier’s L’Etoile and Bizet’s Carmen at the Opera Comique in Paris and Weber’s Le Freischutz under the baton of John Eliot Gardiner and King Arthur for the Britten Pears Young Artists Programme. Roles performed include Belinda (Dido and Aeneas), Papagena (Die Zaubeflote), Zerlina (Don Giovanni), Nanetta Falstaff and Susanna Le Nozze di Figaro.
Relationships are everything in the arts; here are some that we are particularly grateful for:
Mark Brownlee, RichWeb Marketing
Helen Wyllie, Graphic designer
Linda Martin, Photographer